Information - Gregory EuclideGregory Euclide

BIOGRAPHY

Gregory Euclide is an artist and teacher living in the Minnesota River Valley. His work has been featured in The Nature of Nature at the Minneapolis Institute of Arts (2014-2015), Badlands: New Horizons in Landscape at MASS MoCA (2008-2009), Otherworldly at the Museum of Arts and Design in New York (2011), Small Worlds at the Toledo Museum of Art in Ohio (2011), and was presented as a solo exhibitionNature Out There, at the Nevada Museum of Art (2012). Euclide’s work has been reviewed and featured in publications such as: Art News, Sculpture Magazine, Art Ltd Magazine, Hi Fructose Magazine and Juxtapoz Magazine. His work is also featured on the 2012 Grammy Award winning album covers of the musical group Bon Iver and on the cover of McSweeney’s Quarterly Concern #43. Euclide was awarded three Minnesota State Arts Board Artist Initiative Grants through the National Endowment for the Arts, and a Jerome Foundation Residency through the Blacklock Nature Sanctuary. In addition, he was a recipient of the 2011-12 Jerome Foundation Fellowship for Emerging Artists and the 2015-2016 Mcknight Fellowship for Visual Artists. Euclide received his MFA from the Minneapolis College of Art and Design.

WORKS AVAILABLE

Please view Events for a listing of locations where works are being shown.

Works available from the studio: Contact

CONTACT

Instagram @Gregory_Euclide

SUPPORT

Gregory Euclide is a fiscal year 2005, 2008, & 2015 recipient of an Artist Initiative grant from the Minnesota State Arts Board. These works are made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation from the arts and cultural heritage fund.

STATEMENT

The depiction of land has often been used as a means of celebrating or critiquing culture. The use of pastoral views, banal architecture and everyday trash problematize the traditional definitions of a natural landscape. Through the process of transforming and miniaturizing materials found in the land, objects, in their new context, are no longer discernible as natural or man-made. The juxtaposition of representational modes and materials create a hybrid space where the romanticized and actual intermingle. Contrasts between the flat, painted vistas and artifacts from the land expose the illusion of representation and subsequently confuse the pictorial space, calling into question the authenticity of the objects. The forms fracture the pictorial space, at times, inhabiting the frames, robbing them of their ability to define a single view and inviting a phenomenological exploration by the viewer.

BOOK

Download Entire Book as a PDF HERE

CV

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AWARDS/FELLOWSHIPS/GRANTS/RESIDENCIES

2015
McKnight Artist Fellowship for Visual Artists
Minnesota State Arts Board Artist Initiative Grant
2012
Prairie Lakes Regional Arts Council Emerging Artist Grant
2011
Jerome Foundation Fellowship for Emerging Artists
2008
Minnesota State Arts Board Artist Initiative Grant
2005
Minnesota State Arts Board Artist Initiative Grant
Blacklock Nature Sanctuary Fellowship/Residency

SOLO EXHIBITIONS
2020
Minnesota Marine Art Museum, Winona, MN
2019
Hashimoto Contemporary, San Francisco, CA
2018
Palo Alto Art Center, Palo Alto, CA
2016
Hashimoto Contemporary, San Francisco, CA
2015
South Dakota Art Museum, Brookings, SD
Mai Wyn Fine Art, Denver, CO
Washington Pavilion Visual Arts Center, Sioux Falls, SD
2013
StolenSpace Gallery, London, UK
Progress Gallery, Paris, France
2012
David B. Smith Gallery, Denver, CO
Nevada Museum of Art, Reno, NV
2011
David B. Smith Gallery, Denver, CO
2010
The Joseph Gross Gallery, The University of Arizona –Tucson, Tucson, AZ
Merry Karnowsky Gallery, Los Angeles, CA

SELECTED EXHIBITIONS

2019
North/East, Circa Gallery, Minneapolis, MN
2018
Through That Which Is Seen, Palo Alto Art Center, Palo Alto, CA
2017
Context Art Miami, Hashimoto Contemporary
2016
Miami Project, Hashimoto Contemporary
2015
Miami Project, Hashimoto Contemporary
Art Miami-Context, Fifty24MX Gallery
Paper Cut, Subliminal Projects, Los Angeles, CA
2014
The Nature of Nature, Minneapolis Institute of Arts, Minneapolis, MN
Minnesota Biennial, Minnesota Museum of American Art, St. Paul, MN
2013
Second Nature, Broward College, Davie, FL
Journey Forth, Gallery Wendi Norris, San Francisco, CA
Blurring Dimensions, Memphis College of Art, Memphis, TN
2012
Jerome Emerging Artist Fellowship Show, Minneapolis College of Art and Design, Minneapolis, MN
2011
Otherworldly, Museum of Arts and Design, New York, NY
Small Worlds>/i>, Toledo Museum of Art, Toledo, OH
2010
The Nature of Things, Biennial of the Americas, Denver, CO
2009
New Landscapes, Groveland Gallery, Minneapolis, MN
2008
Badlands: New Horizons in Landscape, MASS MoCA, North Adams, MA

PUBLICATIONS
2018
New York Times, “A Lifelike Version of Nature, but Not to Scale” May 8, 2018
2017
Virginia Quarterly Review Vol. 93/1 WINTER
2015
Beijing Designer, “Sustainable Living : Green Design”
2012
Gestalten, “High Touch: Tactile Design and Visual Explorations”
2011
Art News Magazine, Show Review, Kyle MacMillan December
New York Times Style Magazine, Interview, Sara Owen, “Terra Incognita”
2010
Gingko Press, “Illustration Play 2”
Gingko Press, “Merge: Art + Craft + Design”
Gingko Press, “Juxtapoz Handmade”
Art Ltd. Magazine, Cover, Special Eco Issue Mar/Apr
2009
The MIT Press, Denise Markonish “Badlands: New Horizons in Landscape Mass MoCA” Catalog
2007
Die Gestalten Verlag, “BLK/MRKT BLK/MRKT” Two

COMMERCIAL
Game Trails, Aukai, Album Art
Mono, Simeon Walker, Album Art
Fragments of Scattered Whispers, Endless Melancholy, Album Art
Rosemary & Garlic, Album Art
Hymn Binding, From the Mouth of the Sun, Album Art
Ecco, Jim Crace, “Continent” Book Cover
Turns, Seabuckthorn, Album Art
Blooms, Dead Light, Album Art
Lua, Will Samson, Album Art
Loscil ADRIFT App Graphics
Erased Tapes Collection VI, Album Art
Evertina, Lubomyr Melnyk, Album Art/Design
Bring Me Home, The Ericksons, Album Art
Bon Iver, Bon Iver, Album Art
Corollaries, Lubomyr Melnyk, Album Art/Design
Minnesota Beatle Project Vol. 4, Album Cover/Design
McSweeney’s Quarterly #43, Covers & Spot Art Illustrations

COLLECTIONS

The Weisman Art Museum, University of Minnesota
The Progressive Corporation, Mayfield Village, Ohio
Flint Institute of the Arts, Flint, Michigan
Microsoft Corporation, Redmond, Washington
United States Embassy in Sarajevo
Wellington Management Company, Boston, Massachusetts
Dex Media, Denver, Colorado
Nordstrom, Seattle, Washington
Health Partners, Minneapolis, Minnesota